By Deborah Yaffe, Sep 19 2019 01:00PM
A few weeks ago, as ITV began airing a much-hyped miniseries based on Sanditon, the seaside novel Jane Austen left unfinished at her death, a painter commissioned by the broadcaster started work on a giant billboard promoting the series (see under: much-hyped).
Artist David Downes finished the job earlier this month, and from the photo I’ve seen, the completed painting, on a twelve-meter-wide billboard in the British seaside town of Bournemouth, looks rather lovely: a green and rocky coastal seascape dotted with sails, under a sky full of wispy, streaming clouds. Even the rather prominent “ITV” logo in the lower left-hand corner doesn’t detract from the scene’s intriguing combination of tranquility (those peaceful boats) and edgy energy (those scudding clouds).
Sanditon won’t officially make it to US screens until January, although YouTube appears to be replete with opportunities to view the four episodes that have screened so far in the UK. (I will not be availing myself of these opportunities, given their dubious safety and legality; as a producer of intellectual property, I try not to collude in the likely theft of other people’s.)
Judging from the reviews in the British press, however, the show seems long on titillation – male nudity! Outdoor sex! Hints of brother-sister incest! – and short on the wit and subtlety that notably characterize the works of Jane Austen. (No big surprise, since screenwriter Andrew Davies has said he ran out of Austen material halfway through episode 1.) I’m withholding judgment until January, but it’s entirely possible that this billboard may turn out to be the best thing to come out of ITV’s Sanditon.