Deborah Yaffe


By Deborah Yaffe, Oct 14 2019 01:00PM

We Janeites may love Austen’s heroes and heroines, but it’s her secondary characters who make us laugh out loud. Fanny Dashwood’s selfishness, Mr. Collins’ sycophancy, Isabella Thorpe’s insincerity, and [insert your favorite here] never fail to divert us.

So it’s encouraging to hear that the gifted character actress Bebe Neuwirth, whom some of us remember fondly as the toxic ex-wife in Frasier, has a part in the upcoming movie Modern Persuasion, which recently completed filming. (It’s – wait for it -- a modern version of Persuasion. Bet you didn’t see that coming.)

Alas, the movie’s IMDB entry, which lists characters with names like “Wren Cosgrove” and “Grayson Keller,” provides no clues to which Austen-inspired part, if any, Neuwirth (“Vanessa Perry”) will be playing. Is she Elizabeth Elliot? Penelope Clay? Lady Russell? Mrs. Croft? Each one offers promising scope for Neuwirth’s genius, assuming the script is any good, so I am all anticipation. With no release date yet announced, I’ll just have to be patient.

Meanwhile, however, another Jane Austen vehicle that does have a release date promises similar pleasures. The new feature film of Emma will arrive on U.S. screens on February 21, and although its star, Anya Taylor-Joy, is an interesting actress, I’m more excited about two of her co-stars. The hilarious Miranda Hart has the potential to be the Miss Bates of our dreams, and the chameleonic Bill Nighy should make a wonderful Mr. Woodhouse.

And of course January will bring us, via PBS, Anne Reid as the imperious Lady Denham in the controversial UK TV version of Sanditon. It should be a great year for Austen sidekicks.

By Deborah Yaffe, Sep 19 2019 01:00PM

A few weeks ago, as ITV began airing a much-hyped miniseries based on Sanditon, the seaside novel Jane Austen left unfinished at her death, a painter commissioned by the broadcaster started work on a giant billboard promoting the series (see under: much-hyped).

Artist David Downes finished the job earlier this month, and from the photo I’ve seen, the completed painting, on a twelve-meter-wide billboard in the British seaside town of Bournemouth, looks rather lovely: a green and rocky coastal seascape dotted with sails, under a sky full of wispy, streaming clouds. Even the rather prominent “ITV” logo in the lower left-hand corner doesn’t detract from the scene’s intriguing combination of tranquility (those peaceful boats) and edgy energy (those scudding clouds).

Sanditon won’t officially make it to US screens until January, although YouTube appears to be replete with opportunities to view the four episodes that have screened so far in the UK. (I will not be availing myself of these opportunities, given their dubious safety and legality; as a producer of intellectual property, I try not to collude in the likely theft of other people’s.)

Judging from the reviews in the British press, however, the show seems long on titillation – male nudity! Outdoor sex! Hints of brother-sister incest! – and short on the wit and subtlety that notably characterize the works of Jane Austen. (No big surprise, since screenwriter Andrew Davies has said he ran out of Austen material halfway through episode 1.) I’m withholding judgment until January, but it’s entirely possible that this billboard may turn out to be the best thing to come out of ITV’s Sanditon.

By Deborah Yaffe, Sep 5 2019 01:00PM

Two episodes of the much-hyped TV adaptation of Sanditon, the novel Jane Austen left unfinished at her death, have aired in Britain over the past eleven days, and reviews so far are. . . mixed. At best. Words like “cringey” and “dull” have been employed (as, to be fair, has “refreshingly loose.”) One scene has been compared to “a school video designed for 10-year-olds.”

We Americans won’t get to decide for ourselves until January 12, when the show launches on PBS’ Masterpiece. But British viewers, at least those of the Janeite persuasion, have already been given an incentive to keep watching: Scavenger hunt!

It seems that production designer Grant Montgomery has sprinkled thirty-five references to Austen and her other novels throughout Sanditon’s eight episodes, perhaps in hopes that the show will become the center of a fan cult dedicated to freezing and parsing every frame of the DVD.

Among the hidden Austen references, apparently, are a copy of Pride and Prejudice stashed on a bookshelf and a Sanditon map featuring streets, gardens and promenades named Bennet, Bertram, Bingley, Brandon, Crawford, Darcy, Dashwood, Elliot, Ferrars, Knightley, Tilney, Wentworth, Wickham, and Willoughby, as well as “Moorland” – presumably, a tribute to the heroine of Northanger Abbey from someone who doesn’t know how to do a text search.

“It’s like Jane Austen’s greatest hits,” Montgomery told the Daily Mail. “The Jane Austen society visited the set and couldn’t help but laugh at all the Austen jokes included on some of the posters in the town.”

It all sounds kind of fun. And judging from those reviews, Sanditon may need all the fun it can get.

By Deborah Yaffe, Aug 22 2019 01:00PM

For the past week or so, barely a day has passed without a story in the British press about the forthcoming eight-part television mini-series Sanditon, based on the novel Jane Austen left unfinished at her death.

Just in case anyone has missed the news, however, broadcaster ITV has commissioned a twelve-meter-wide billboard in the southern English coastal town of Bournemouth, which will be painted publicly over five days beginning Sunday, the day the show begins airing in Britain. (U.S. viewers will see the show sometime next year.) The acrylic-and-ink painting by artist David Downes “will recreate an illustrated version of the poster artwork for Sanditon,” according to press accounts of the project.

It’s not clear to me if this means that Downes’ painting will mirror actual publicity for the television show or be designed to look like publicity for the fictional seaside resort where the story takes place. Either seems possible. In any case, the billboard will stay up for three weeks once it’s finished, providing plenty of opportunities for further panting press coverage.

Downes, who has been diagnosed with high-functioning autism and is a vice president of the UK’s National Autistic Society, describes himself as “a landscape painter who amplifies the sense of place and time through the lens of autism.”

Phyllis Ferguson Bottomer, one of the people I profiled in Among the Janeites, argues that many of the characters in Pride and Prejudice can be understood as on the autistic spectrum, but as far as I know she’s never diagnosed any of the people in Sanditon. Still, you never know what we’re going to get in the ITV version: Screenwriter Andrew Davies has said he used up Austen’s material halfway through Episode 1.

By Deborah Yaffe, Aug 15 2019 06:00AM

Thirteen years ago, when PBS’ Masterpiece Theatre aired a new adaptation of Jane Eyre, the network offered viewers a chance to buy something advertised as, if memory serves, “the companion novel.” That would be Charlotte Bronte’s 1847 masterpiece, one of the landmarks of English literature.

Beginning next week, ITV in Britain will air a new adaptation of Sanditon, the novel Jane Austen left unfinished at her death. As Maggie Sullivan of AustenBlog has noted, ITV is clearly hoping that Sanditon will become another Downton Abbey-style period blockbuster. Since the screenwriter is Andrew “Wet Shirt” Davies, famed for turning Colin Firth’s Mr. Darcy into the definitive Historical Hottie, we’ve already been treated to a moony trailer and many, many teasing allusions to All!The!Sex! we’re going to see.

And now . . . the companion novel.

Yes, it seems that Trapeze Books, an imprint of the UK’s Orion Publishing Group, itself a subsidiary of Hachette, will be issuing two Sanditon tie-in books this fall, just in time for the show’s UK airing, which begins August 25. (Sanditon will make it to the US sometime next year.)

One of the new books, The World of Sanditon, is a non-fiction work by Sara Sheridan, whose numerous previous books include a mystery series set in post-World War II England and a non-fiction tie-in to Victoria, another PBS-ITV costume-drama-cum-soap-opera. (Not that there’s anything wrong with that!) The other new book is a novel entitled Sanditon by -- shall we guess? Jane Austen?

No, by Kate Riordan, a British journalist and fiction writer who has published three historical novels.

Many writers have tried, with mixed success, to finish Austen’s fragment; six years ago, I reviewed most of those efforts. But Riordan’s book is not another continuation of Austen. It’s a novelization of Davies’ screenplay for an eight-hour series that uses up Austen’s material halfway through Episode 1. Yes, this Sanditon is a novel that expands a screenplay that adapts a fragment of a novel. I get dizzy just trying to keep all the layers of adaptation and reinterpretation straight.

I’ve never seen the point of novelizations myself. Why not just watch the movie/TV show? And although Riordan may be an excellent writer -- I've never read anything of hers -- it’s pretty obvious that this particular effort is motivated not so much by a burning artistic drive as by a desire to put the name “Jane Austen” on the cover of a book that is not yet out of copyright.

Personally, I’ll be watching the Sanditon show and skipping the Sanditon book – except for the Sanditon book that is out of copyright. You know -- the one by Jane Austen.

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