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By Deborah Yaffe, Feb 19 2018 02:00PM

Although it’s been a quiet few weeks on the Austen beat, at least compared with last year’s bicentenary frenzy, a few bits of Janeite news have come in over the transom. Herewith, a roundup:


* Garden seat: Bicentenary commemorations live on, as Jane Austen’s House Museum -- aka Chawton cottage, the Hampshire home where Austen wrote or revised all six of her completed novels – inaugurated its spring season this month by unveiling a Garden Memorial to Austen.


The memorial consists of two stone benches carved with a delightful quote from Austen’s 1816 letter to James Stanier Clarke, the Prince Regent’s librarian, who had advised her to make her next book a “Historical Romance illustrative of the History of the august house of Cobourg.”


Deftly deploying self-deprecation to deflect this asinine suggestion, Austen replied, "I could not sit seriously down to write a serious Romance under any other motive than to save my Life, & if it were indispensable for me to keep it up & never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first Chapter."


The benches sit in view of the cottage, in a corner of the small garden – another landmark for Janeite visitors to check out when they’re next in Chawton.


* Quiz fail: Alas, British twenty-something Madeline Grant – familiar to readers of an earlier blog post -- lost in the semifinals of the beloved BBC quiz show Mastermind, despite correctly answering eleven questions on her specialty subject, Jane Austen’s life and works. (Apparently, she did less well on the test of general knowledge.)


The episode aired on February 9, but rights issues prevent viewing it on this side of the pond. Thus, I can’t tell you anything about the Austen questions, unless one of my intrepid readers knows of an – ahem! – less orthodox viewing method. Here’s hoping for a future Janeite Mastermind champ.


* Football and faux-Austen: One or two times in the past – OK, make that one or two hundred times – I have expressed, sometimes rather forcefully, my displeasure at the Internet’s habit of mistaking quotes from movie adaptations of Jane Austen’s novels for genuine Jane Austen quotes. (For one such post, click here.)


Sadly, my Sisyphean labor has yet to bear fruit, and the Internet is at it again. On Valentine’s Day last week, Linda Holliday, longtime girlfriend of New England Patriots coach Bill Belichick, posted to Instagram a photo of the happy couple relaxing on a beach vacation.


Underneath the photo, she wrote, “ ‘You have bewitched me, body and soul, and I love ... I love ... I love you!’ ~ Pride and Prejudice” (A heart emoji was also involved, but I can't replicate it here.)


There is nothing wrong with Holliday's caption, since the sentence she quotes – swoonily romantic or irredeemably cheesy, depending on your taste – does, indeed, come from Pride and Prejudice. Not, however, from the Jane Austen novel of that name, but from the 2005 Joe Wright film adaptation of said novel.


The Internet does not understand this distinction.


“Holliday quoted Jane Austen from ‘Pride and Prejudice,’ ” the Boston Globe happily – and inaccurately – reported. Yes, agreed the gossip site The Smoke Room: Holliday was “quoting Jane Austen’s 19th century book ‘Pride And Prejudice.’ ”


Inevitably, the next person searching for the origins of the “body and soul” sentence will happen across the Globe’s attribution and, lulled into a false sense of security by the newspaper’s reputation for good journalism, will perpetuate the error.


What is to be done? A friend to whom I ranted about this latest idiocy reminded me of a famous line in the Jewish ethical teachings known as Pirkei Avot: "It is not your responsibility to finish the work, but neither are you free to desist from it." The work of eradicating faux Austen quotes goes on.


By Deborah Yaffe, Aug 14 2017 01:00PM

Unless you’ve spent the past week entirely absorbed in stocking your fallout shelter with canned goods, you’ve probably heard that a fearless band of TV producers has announced plans for the unthinkable: a television adaptation of Pride and Prejudice that doesn’t star Colin Firth.


By now, it is de rigueur for adapters of much-adapted classics to explain how their new versions will uncover Hidden Depths or Heretofore Unsuspected Resonances in some apparently familiar work.


When Andrew Davies wrote the screenplay for the BBC’s now-iconic 1995 P&P, starring Firth and Jennifer Ehle, he wanted an adaptation that was vigorous and outdoorsy. (Jane Austen can be sexy! Who knew?) When Joe Wright made his 2005 feature film, starring Keira Knightley and Matthew Macfadyen, he wanted an adaptation that was muddy and earthbound. (Jane Austen can be messy! Who knew?)


This time around, the people involved say they want an adaptation that is edgy and grownup. (Jane Austen can be dark! Who knew?)


"Pride and Prejudice is actually a very adult book, much less bonnet-y than people assume," says the proposed screenwriter, the British playwright Nina Raine, whose most recent theatrical work centers on a murky rape case. "I hope I do justice to Austen’s dark intelligence – sparkling, yes, but sparkling like granite.”


Although AustenBlog’s indispensable Maggie Sullivan is already taking her Cluebat of Janeite Righteousness out of mothballs, in preparation for whacking any idiocy that may appear onscreen – and although I’ll cop to some skepticism over whether a British woman over forty can really never have seen an adaptation of P&P, as Raine claims -- I’m willing to reserve judgment.


Jane Austen can be dark! And also sexy and messy! (As well as the opposite of all of those, since she is a multifaceted writer whose many dimensions are seldom captured perfectly in any screen adaptation, no matter how well-done.) Unlikely as it seems that a new version will be “the definitive adaptation for the twenty-first century,” rather than another forgettable reboot, we can always hope.


No, what really concerns me is the previous work of some members of the team behind this new P&P. Mammoth Screen, the production company, is best-known for making the soapy Victoria and Poldark series – both highly entertaining, but both lacking anything like Austen’s subtlety. And the new adaptation will air on ITV, the British TV channel known for a more populist and commercial sensibility than the historically upper-crust and staid BBC, which made the six previous English-language TV adaptations of the novel.


Nothing wrong with populism and commercialism, except that ITV’s track record for Austen adaptations – it released three in 2007 -- is decidedly mixed. On the plus side, ITV made the well-cast Northanger Abbey, starring Felicity Jones in a competent if imperfect Davies script that some criticized for injecting extra sensuality into the novel.


On the decidedly negative side, however, ITV is also responsible for two of the worst-ever Austen adaptations. How to forget that embarrassing Persuasion, featuring poor Sally Hawkins racing through the streets of Bath in an unforgivable travesty of the book’s sublime ending? Or that execrable Mansfield Park, starring the miscast Billie Piper and her all-too-ubiquitous cleavage -- Fanny Price as St. Pauli Girl?


The mind reels at the prospect of a P&P put through a similar meatgrinder. Thank God the Cluebat stands at the ready.


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