The success of the screen adaptations of Jane Austen’s novels has been attributed to many factors: romantic plots, attractive stars, witty dialogue, stately mansions. And, of course, great-looking clothes.
No surprise, then, that Austen tourist venues frequently display costumes from the movies, even though, as modern reproductions worn by contemporary actors playing fictional characters, these outfits fall at least three degrees of separation short of historical reality.
Now Janeite costume fans can look forward to another opportunity to wallow in Regency fashion: The Exhibits Development Group, a Minnesota-based company that assembles traveling shows on art, science, history, and pop culture, has put together “Jane Austen: Fashion and Sensibility.” Thus far, no venues have been announced for the exhibition, although EDG’s projected schedule seems to imagine a tour of eighteen sites over six years, starting in the fall of 2020.
The show features forty-nine costumes from eight different filmed adaptations of four Austen novels, but the lion’s share of the items – thirty-five of the forty-nine – come from just two of those adaptations: the iconic 1995 BBC mini-series of Pride and Prejudice, written by Andrew Davies and starring Colin Firth and Jennifer Ehle; and the 1995 Ang Lee movie of Sense and Sensibility, written by Emma Thompson and starring Thompson and Kate Winslet.
While more than two-thirds of the featured costumes were worn by women – because let’s face it: who usually gets the more interesting clothes in these movies? – the exhibitors clearly have a savvy eye on their market: Among the smaller number of male garments on display will be the so fetchingly moistened white shirt that Firth wore in the BBC P&P, and the long gray coat and halfway-unbuttoned shirt in which a super-hot Matthew Macfadyen met Keira Knightley at the end of Joe Wright’s 2005 movie of P&P.