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Writer's pictureDeborah Yaffe

Sneak previews

The new year is shaping up as a happy one for Janeites, at least American ones, since it will usher in two new Austen adaptations – the controversial British mini-series based on Sanditon, the novel Austen left unfinished at her death; and a new feature film of Emma, with a screenplay by Booker Prize-winning novelist Eleanor Catton.


The past two weeks have brought smidgens of news about both projects:


* By now, any Janeite with an internet connection has probably heard all about Sanditon’s mixed reviews and reviled ending (no spoilers here!) And many of us (though not me) have found ways to watch the show online even before its American debut on Masterpiece on January 12.


Apparently, however, once the show officially airs, much is riding on our reaction: The British celebrity mag Hello! reports that a second season will be commissioned only if the show is “a huge hit in America!”


Such a responsibility! Do we want to encourage a second season? I guess we’ll know in January.


* Meanwhile, Focus Features -- the people who brought us the much-loved-and-in-some-quarters-much-loathed 2005 film of Pride and Prejudice, starring Keira Knightley and Matthew Macfadyen -- just unveiled a trailer for their new Emma, which opens February 21.


In an intriguing and slightly odd minute and a half, we glimpse plenty of bonnets, Empire waists, and stately homes, as well as a few incongruities: a startlingly spry Mr. Woodhouse – he jumps down several stairs, without a bowl of gruel in sight! – and a Mr. Knightley who, with his bee-stung lips and shock of blond hair, looks more like a boy-band hottie than a morally upright landowner.


I’m a tad dubious, but I’m willing to let Johnny Flynn win me over with his performance of our hero. Bill Nighy, who is playing Mr. Woodhouse, need not even try – I love him in everything. Ditto Miranda Hart as Miss Bates, who only gets a few seconds of screen time here but whom I trust we’ll see more of in the full version.


Judging from the trailer, the film is going for an off-kilter vibe, clearly intended to suggest that this is Not Your Mother’s Emma. Bring it on, I say.

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